From left: Verdery Roosevelt, Senior Vice President of Program and Nonprofit Investments, UMEZ;Kenneth J. Knuckles, President & CEO of UMEZ; Laveen Naidu, Executive Director, Dance Theatre of Harlem; Virginia Johnson, Director, Dance Theatre of Harlem
DANCE
THEATRE OF HARLEM RECEIVES UMEZ GRANT
New
York, NY – Last week, Kenneth J.
Knuckles, President and CEO of the Upper
Manhattan Empowerment Zone Development Corp. (UMEZ), announced that the Dance Theatre of Harlem, which has
delighted and electrified audiences for over four decades, had been awarded a
multi-year grant $646,000 by this organization’s Cultural Industry Investment Fund.
Dance Theatre of Harlem was founded in 1969
by Arthur Mitchell and the late Karel Shook.Mr. Mitchell, a former principal dancer with
the New York City Ballet, created it
to specialize in classical ballet performance and training.Over its forty year presence in Upper
Manhattan, it has grown to become a primary cultural asset in the community,
and it has been the premier institution in this country for dancers of color
who wished to study and perform classical ballet, an art form within which
African Americans, Latinos, and other artists of color are significantly
underrepresented. Today, it is one of only three culturally specific performing
arts organizations in the country whose annual budget is greater than $3
million.
Among its many other noteworthy achievements,
Dance Theatre of Harlem was the first American dance company to win the
prestigious Laurence Olivier Award; broke
America’s cultural ban on South Africa at the invitation of Nelson Mandela and the African National
Congress; and was the last American dance troupe to perform in the former USSR
and the first to perform in Russia.
The UMEZ grant will be combined with
other private and public financial contributions, as well as Dance Theatre of
Harlem’s performance earnings, to help improve the Theatre’s overall
operations, while allowing for its stability and future development.As such, the UMEZ investment is being directed
to four primary purposes. These include the hiring of an institutional
advancement consultant; a marketing and communications consultant; fund-raising
assistance; and an upgrade of the Dance Theatre of Harlem’s information
technology systems.
“The intrinsic importance of the Dance
Theatre of Harlem is unassailable,” said Mr. Knuckles. “It is a flagship Upper
Manhattan institution whose artistic excellence, historical influence, and
cultural contributions have touched people all over the world. That’s why we
felt it was vitally important to join with other corporations and foundations
to provide it with the much-needed financial assistance to continue its
outstanding activities for another 40 years and beyond.”
ABOUT UPPER
MANHATTAN EMPOWERMENT ZONE:
UMEZ’s mission is to sustain the
economic revitalization of all the communities of Upper Manhattan through job
creation, corporate alliances, strategic investments and small business
assistance.UMEZ seeks to revitalize
distressed communities by using geographically targeted public funds and tax
incentives as catalysts for private investment. In Upper Manhattan, the
communities that lie within the Empowerment Zone's borders include Harlem,
East Harlem, Washington Heights and Inwood.
ABOUT THE CULTURAL
INDUSTRY INVESTMENT FUND
UMEZ’s CIIF celebrates Upper Manhattan’s rich
past while creating new legacies.The
work of the CIIF is two-fold:community
building through a cultural and economic lens; and, a marketing of place that
repositions Upper Manhattan as one of New York City’s primary cultural
districts.The goals of the CIIF are
sustaining the local economy by promoting development, revitalization and
tourism; making strategic cultural investments; and, strengthening the cultural
ecosystem.
CIIF seeks to fund service organizations that
can significantly position and promote local arts and culture as an integral
component of cultural history, contemporary art production, and the local
cultural industry and economy; build the artistic and administrative capacity
of local arts and cultural players; provide technical assistance; develop
programmatic links and collaborations with other groups in Upper Manhattan,
city-wide, and/or nationally; and, service the arts across disciplines.